The Small Hours (2025)
A tender, cinematic portrait of a single father and his young son, showing how love, trust, and connection grow in the quiet rhythms of everyday life.
Official Selection - Streetside Cinema - Winston-Salem, NC (2025)
Official Selection - Indie Film Los Angeles - Los Angeles, CA (2025)
Official Selection - CineVet | New York City Veterans Film Showcase, Lincoln Center - New York City, NY (2025)
Official Selection - The Root Experience - Spokane, WA (2025)
Official Selection - Daddying Film Festival & Forum (D3F) - Washington, DC (2026)
Official Selection - GENiUS Ultra-Short Category, DaVinci International Film Festival - Los Angeles, (2025)
Grief is a Room (2025)
A minimalist portrait of grief, this film follows a father navigating the quiet aftermath of loss. Across a single week, the film examines how routine, memory, and endurance intersect when life feels unbearably fragile.
Official Selection - The Great Film Club - Los Angeles, CA (2025)
Finalist - 13 Roses Visionary Film Festival - Atlanta, GA (2025)
Official Selection - Highland Park Independent Film Festival - Los Angeles, CA (2025)
Winner-Narrative - Progeny Film Festival - The Lyric Theatre, Blacksburg, VA (2025)
Grief is a Room is more than a film; it’s a reminder of what independent cinema can achieve when vision meets courage. By embracing silence, stillness, and stark honesty, Andrew Coughlin has created an intimate meditation that resonates universally. The short stands as both a moving testament to resilience and a celebration of the resourceful, personal spirit that defines true indie filmmaking. - Valerie Milano, The Hollywood Times
The Days I Hold (2025)
After surviving breast cancer, a woman sets aside a week to truly feel alive. Through quiet rituals, she confronts her scars, her solitude, and the fleeting beauty of each day, learning to notice—and hold—life in every moment.